5. In 1931, he joined the Little Symphony—a Chicago Symphony training ground—and was promoted to the Chicago Symphony Orchestra in 1934. He stood like a monument on a pedestal. Regardless of Elgar’s opinion, Walton’s Concerto for Viola and Orchestra remains a favorite in the viola repertoire for good reason, containing strikingly beautiful and melancholic melodic lines as well as virtuosic technical displays that highlight the viola’s unique timbral possibilities. Symphony Orchestra : Colin Holman, Conductor: 1 Credit: Mondays and Wednesdays, 4:30PM - 6:00PM: The Symphony Orchestra is committed to the exploration and performance of major orchestral literature from the seventeenth century to the present. Sergei Prokofiev was born in an isolated rural area in the Yekaterinoslav Governorate of the Russian Empire in 1891. Walton did gain a scholarship to Christ Church, Oxford, as a chorister, though, and continued there as an undergraduate at the relatively young age of 16. The official blog of the University of Chicago Symphony Orchestra. Both Prokofiev and Walton simultaneously drew from any number of artistic approaches, constantly experimenting and shifting positions within the constellation of compositional styles as their careers progressed. Chicago Symphony Orchestra. Phone 773.702.8484, Statement on ICE order pertaining to F-1 visas, Department of Music Distance Learning Wiki, Chicago Center for Contemporary Composition. Walton began work on the Portsmouth Point Overture in 1925, right around the time he met George Gershwin and landed a job arranging foxtrots for Debroy Somers’ band at the Savoy Hotel—influences highly evident in the overture’s overall sound. Prokofiev continued to run from war to pursue his music: after experiencing the Bolshevik Revolution and fearing a takeover of St. Petersburg, the composer fled to San Francisco in 1918 and soon became well established in the United States as well. William Walton: Portsmouth Point Overture (1925) and Concerto for Viola and Orchestra (1929). Official YouTube Channel of the Chicago Symphony Orchestra. The finale surprisingly gives way to the initial movement’s theme, a memory which, after a quiet interlude, is finally transformed to a triumphant, dizzying, and increasingly robust final declaration. The CSO is one of five American orchestras commonly referred to as the "Big Five". October 26, 2019 | 7:00PM. The USO includes both undergraduate and graduate students, faculty and staff, UChicago alumni, and community members, with preference for membership given to qualified UChicago students. The group has a commitment to the finest traditional and contemporary sacred and secular repertoire. Pianist and onlooker Sviatoslav Richter described the feel of the performance: “The Great Hall was illuminated, no doubt, as it always was, but when Prokofiev stood up, the light seemed to pour straight down on him from somewhere up above. Music Department The innovations in his musical language, which now seem so logical and so truly in the mainstream of music, then struck me as far-fetched.”, Walton had become friends with composer and violist Paul Hindemith in 1923 and admired his work, and so he decided to extend a second invitation to have the concerto performed. Prior to joining the CSO, he was principal oboe and an artist-in-residence of the Kalamazoo Symphony Orchestra in Michigan from 2000 to 2002 and second oboe with the Erie Philharmonic in Pennsylvania from 1997 to 1999. Hindemith’s own work for viola, Kammermusik No. Widely known for its imaginative presentations of unusual repertoire as well as for its powerful performances of major symphonic literature, the University Symphony opens each season with a costumed Halloween concert – a family-friendly event enhanced by storytelling, dancing, and special effects – and generally closes the year with a celebratory year-end collaboration with the combined choirs. Prokofiev’s presence is a strong one: like the Russian composer’s first violin concerto, Walton’s concerto contains a lyrical opening melody and a shortened recapitulation in the first movement, a section introduced by double stops from the soloist and followed by flowing melodic material in the woodwinds and triplets in the solo part. Strauss Serenade in E-flat Major, Op. 216 Dvořák Serenade in D minor, Op. The previously pervasive late Romanticism of figures like Mahler and Strauss and the Impressionism of Ravel and Debussy were giving way to a diverse collection of musical techniques. Blackwood, Easley. Division of the Humanities, Goodspeed Hall, Third Floor The Chicago Symphony Orchestra (CSO) was founded by Theodore Thomas in 1891. Although Walton remained ambivalent about being compared to Elgar (he once remarked, “who wants to write music that sounds even remotely like Elgar?”), the impact of his more famous British contemporary is quite obvious in Portsmouth Point. 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